The Fitzwilliam Virginal Book is “the most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music,”. Fitzwilliam Virginal Book, also called (erroneously) Queen Elizabeth’s Virginal Book, an early 17th-century English manuscript collection of pieces for. In Vol.1 of this series, the tireless Pieter-Jan Belder gave us vivid and vivacious performances of 35 of these nearly pieces–a very welcome set (Fitzwilliam.
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Richard Strauss used several selections from the Fitzwilliam Virginal Book in his opera, Die schweigsame Frauand cited them accordingly at their appearances in the work.
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The Fitzwilliam Virginal Book | The Fitzwilliam Museum
Introductory notes also in German. Product Description Product Details The Fitzwilliam Virginal Book is “the most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music,” according to Grove’s Dictionary of Music and Musicians.
It includes music dating obok approximately to by John Bull, Giles Farnaby 51 of whose 52 known pieces are includedWilliam Byrd, Peter Philips and Jan Pieterszoon Sweelinck, as well as many others; there are more than separate pieces. Vox Records as a three-LP boxed set and features Payne performing three album sides fitzwilpiam harpsichord a modern Eric Herz instrument and three sides on organ.
At the time the Fitzwilliam Virginal Book was put together most collections of keyboard music were compiled by performers: As with many keyboard manuscripts of the time, the pieces were not written for a specific instrument, and most sound happily on all contemporary keyboard instruments, including virginalsharpsichordclavichord and blok organ.
Pieces from ‘The Fitzwilliam Virginal Book’. From the Fitzwilliam Virginal Book. It was given no title by its copyist and the ownership of the manuscript before the eighteenth century is unclear. The Fitzwilliam Virginal Book is “the most remarkable, and in many respects the most valuable collection of Elizabethan keyboard music,” according to Grove’s Dictionary of Music and Musicians.
Mark Twain, American humorist, journalist, lecturer, and novelist who acquired international fame for…. Discover some of the most interesting and trending topics of Parte intavolata di Pietro Phillipi. The first recording of selections from the anthology was made by Joseph Payne in Any text you add should be original, not copied from other sources. Since copyright on this edition has now lapsed, it has been reprinted by Dover Publications and other publishers specializing in reprinting of out-of-copyright editions, and is available inexpensively.
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Wikipedia article Fitzwilliam Museum. Creative Commons Attribution-NonCommercial 4. This page is only for complete editions and multiple selections from the collection here.
Fitzwilliam Virginal Book (Various)
Internet URLs are the best. Once called Queen Elizabeth’s Virginal Book, a title that has been abandoned because it has been bool that she never owned it, the manuscript was given no title by its author. As with many keyboard manuscripts of book time, the pieces were not written for a specific instrument at least, none is mentionedand most sound happily on all contemporary keyboard instruments, from the virginals through to chamber organs.
It is believed to be the manuscript collection of an amateur keyboard player of the very early 17th century named Francis Tregian the Younger, who copied the entire collection while imprisoned between and in connection with his Catholic sympathies although his authorship is now disputed .
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You can make it easier for us to review and, hopefully, publish your contribution by keeping a few points in mind. John BullEnglish composer of outstanding technical ability and a keyboard virtuoso. Please note that our editors may make some formatting changes or correct spelling or grammatical errors, and may also contact you if any clarifications are needed.
Musical forms range from the most rebarbative of contrapuntal displays to the most spontaneous vriginal piece; dance forms and rhythms predominate, normally galvanised by variation procedures; evocative titles of popular melodies continue to enhance our misleadingly complacent image of Olde England, while concealing beneath their headings a world of turbulent symbolism and discordant sentiment.
The short octave was widely employed in all four instruments mentioned in the main text. We welcome suggested improvements to any of our articles.