ARHUR C DANTO EL ABUSO DE LA BELLEZA PDF

Buy El abuso de la belleza / the Abuse of Beauty: La estetica y el concepto del arte (Paidos estetica 37) by Arhur C. Danto (ISBN: ) from. El Abuso de La Belleza: Arthur C. Danto: Books – Arthur Danto. Prefacio e Intro, Author: Mariana Rodríguez-Iglesias, Name: El Abuso de la Belleza. Arthur Danto. Prefacio e Intro, Length: 19 pages, Page: 1.

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I would have had no interest in being an artist in the new period. This just spurred me to continue reading some of his xrhur works. Danto February 9, 2. Silvia rated it liked it Jul 31, Shawn Thomas rated it it was amazing Mar 04, Learn more about Amazon Giveaway.

Both were indifferent to edification and exaltation, both danfo to a kind of hard-edge thinking. Just a moment while we sign you in to your Goodreads account. That is why beauty, unlike the other aesthetic qualities, the sublime included, is a value.

El abuso de la belleza: La estética y el concepto del arte by Arthur C. Danto

Explore the Home Gift Guide. Product details Paperback Publisher: Shopbop Designer Fashion Brands. July 27, Sold by: Danto brings to bear encyclopedic knowledge of Warhol’s time and shows us Warhol as an endlessly multidimensional figure–artist, eblleza activist, filmmaker, writer, philosopher–who retains permanent residence in our national imagination.

Renowned author and critic Arthur C.

El abuso de la belleza: La estética y el concepto del arte

Goodreads helps you keep track of books you want to read. But I found it intoxicating to be a philosopher of art when art had shuffled off all the heavy metaphysical draperies the Abstract Expressionists were happy to wear as their intellectual garments, and were content to produce works that looked for all the world like commonplace objects of daily life.

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Rafael Bernardo rated it liked it Nov 12, Danto was an American philosopher and art critic who taught at Columbia University and devoted many years to following the New York art scene and writing on contemporary art and art history.

Start reading El abuso de la belleza on your Kindle in under a minute. Learn more about Amazon Prime. The tastes and values of ordinary arhir all at once were inseparable from advanced art.

Danto counters these misreadings by elaborating an anti-Nietzschian philosophy from within Nietzsche’s own philosophy “in the hope of disarming the rabid Nietzsche and neutralizing the vivid frightening images that have inspired sociopaths for over a century. Share your thoughts with other customers. Brandon rated it really liked it Feb 15, Danto traces the evolution of the pop artist, including his early reception, relationships with artists such as Jasper Johns and Robert Rauschenberg, and the Factory phenomenon.

Ironically, Danto sees aesthetics at work on some level since the Brillo boxes were more pleasing and enjoyable to look at than the other Warhol boxes, for instance, the Heinz Ketchup boxes.

Books by Arthur C. It is a necessary condition for life as we would want to live it.

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Amazon Giveaway allows you to run promotional giveaways in order to create ahrur, reward your audience, and attract new followers and customers. Would you like to tell us about a lower price? Read more Read less. In a work of great wisdom and insight, art critic and philosopher Arthur Danto delivers a compact, masterful tour of Andy Warhol’s personal, artistic, and philosophical transformations.

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Arthur C. Danto · OverDrive (Rakuten OverDrive): eBooks, audiobooks and videos for libraries

Not Enabled Screen Reader: Top Reviews Most recent Top Reviews. To underscore this visual enjoyment, Danto cites how, after a lifetime of living with all those drab government-issued boxes, the underground Soviet artists found the Pop Art absolutely beautiful!

So the theorist goes in search of contemporary art’s most exhilarating achievements, work that bridges the gap between art and life, which, he argues, is now the definitive art of our time. Danto’s essays not only critique bodies of work but reflect upon art’s conceptual evolution as well, drawing for the reader a kind of “philosophical map” indicating how art and the criteria for judging it has changed over the twentieth century.

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